I watched the Masterclasses of 10 artists and boiled down what I learned into some generalizations about the creative process.
Read More“A fragment, like a miniature work of art, has to be entirely isolated from the surrounding world and be complete in itself like a hedgehog” — Athenaeum Fragment 206
Read MoreThis is a quick way to make a point in your writing.
Read MoreSchool can feel disorienting and esoteric. What say we embrace the fiction of the classroom?
Read MoreMy program note for Ah Young Hong’s April 7 recital looks at works by Milton Babbitt, Georg Friedrich Haas, and Michael Hersch as essays in darkness and light.
Read MoreAs artists, we all make esoteric things with our hands. Here are some other esoteric things you can do with your hands to take care of your hands.
Read MoreThe problem of the torso— the root of everything cut off from everything— gives us an oblique way to think about music whose form is simultaneously so contained and yet chaotic.
Read MoreFor a concert in a unique venue, I wrote a program note in the form of an extended simile of faces and walls.
Read MoreWhen I started getting curious about meditation, I was searching for concrete answers to questions like: What’s the point of this? How do I do it? How do I know it’s working?
Read MoreEvery piece of the city is framed by some other piece.
Read MoreIt took me six years, but I can finally answer your burning questions, like: Should I pursue a doctorate in music? What even is a doctorate in music?
Read MoreEditing the 2018 trailer for "On the Threshold of Winter" was an exercise in remixing Michael Hersch with Michael Hersch.
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